Showing posts with label Paris. Show all posts
Showing posts with label Paris. Show all posts

Sunday, 21 July 2019

Everything is a blur


Everything is a blur
I just don't know who's to blame
I close my eyes and wait a bit
Just who is playing a game?

Sing your songs, write poems for me
As we waste our lives away
Let's smoke those Gauloise cigarettes
For nothing will be the same

I saw that you've bleached your hair
Whilst I have grown my fine beard
We're just dancing our lives away
Only me and you to blame

Where did you go my sweet love
On that Paris day in Spring
When it was five, dizzy I woke 
You never answered your name

I waited so long in the flat
And fearing the worst of course
Humiliation seeped through my bones
For I had lost the endgame

Image found at http://favim.com/image/165965/

Thursday, 25 January 2018

It's over now


It's over now, you're not coming back
I know that now, it hurts so much, my dear
Seeing you left me well ahead of time
But that you fought so long and hard to stay

I remember in the beginning how
You were juggling me and an airman
Surprised me you went north one weekend
To tell me later you'd given him up

So we were married in less than a year
Very snug in our one bedroom flat
After the best honeymoon in Paris
A short walk to Jardin du Luxembourg

Three kids and six grandchildren to fill 
Our lives, finding a home far from home
In Australia to spend all our days
Now I have got to find where you went to

Prompt words used 'over', 'beginning', 'back', 'ahead'.

Image Palais du Luxembourg and gardens found at www.tripadvisor.com

Wednesday, 6 September 2017

The look in your eyes


It was the look in your eyes
When you put your hand in mine
And the way you held me tight 
On this fine June wedding day

How we clung close together
On this our Paris honeymoon
Close to Parc de Luxembourg
Hotel a short walk away

Used the Metro all the time
To find the Rue de Rivoli
And the Musee de Louvre
Rode that train everyday

Went up the Eiffel Tower
Sailed a cruise boat down the Seine
Fell in love with Montmartre
Walked along the Quai d'Orsay

Shopping Galleries Lafayette
What a delight that was too
My poor legs were younger then
When we also shopped Bon Marche

But those days are now long gone
For I live now all alone
But what memories I hold
Of our June wedding day

Image found at www.pinterest.com 

Yes, my wife Maureen and I spent our honeymoon in Paris in 1957

Wednesday, 5 August 2015

Table d'hote



It was the last day of our holiday in France where we had made friends with another couple and planned our last evening out with them at a cafe in the Latin quarter.

We had made no reservation but just wandered the crowded streets hoping to find one with the right local feeling about it.

Eventually down a dark back street we could see some beckoning lights and the chatter of customers seated outside.

We went on in and requested a table for four as the owner looked at his wife and she cocked her head at him and shrugged for clearly they we nearly full.

We were escorted to an empty table in a room that overlooked a side street and offered menus but told of the table d'hote which was inclusive of a bottle "vin ordinaire". 

We all nodded agreement to that choice and the owners wife seemed pleased too at our selection for everything was prepared already and we were the type of customers that she liked.

It was the best meal I had had in a long time for the food, the wine, the service and the general atmosphere of eating with the locals was excellent and an experience that has remained with us for many years,


Image found at www.paris-paris-paris.com 

Sunday, 16 January 2011

Where Artists Sleep



Not far from the Boulevard de Clichy at the foot of Montmartre but a short walk from the Moulin Rouge there is a place invisible to most visitors to Paris. It is a small cemetery; a magical place. It is not seen by the majority of foreigners that flock to the city each year, yet it holds for me what is the essence of that great city. It is the resting place of some of that city’s greatest artists; that made Paris such a drawcard for the world.

The main entrance is hidden down a side street, the Avenue Rachel, although you can reach it by one of Paris steep staircases from the Rue Caulaincourt Bridge which spans the south east corner of the cemetery. Once you enter, you visit a wondrous world.

Immediately the street sounds are hushed and you are confronted by a tranquil oasis where those in that corner sleep. Most of the memorials are built on a grand scale by families who pack their relatives in these stone mausoleums that dot the walkways like sentry boxes.

The first name I recognised was Emile Zola, that novelist whose heroes and heroines were influenced by the fateful blood and passions of the Rougon Macquart family. A little further on is the tomb of Hector Berlioz whose Symphony Fantastique was inspired by his love for an Irish actress who he later married.

On the same path is the elaborate tomb of the painter Jean Baptist Greuze whose social commentary paintings in the 17th century warned of a revolution that was to come.

But a few paces from there is the resting place of Jean Honoré Fragonard, a contemporary who painted the idyllic France that existed only for the elite. Who can forget his painting “The Swing” showing a young man on the ground admiring an amused girl on a swing as she reveals her petticoats as she swings above him?

While we were walking around the cemetery we had this feeling of being watched. We rested on our climb up the steep paths and slowly when these were cleared of visitors the true residents of the cemetery emerged. From behind the tombs, from out of openings came the owners of that patch of Paris. Quietly we observed the cats of Paris emerge from hiding to stalk and play and rest in the weak October sunshine. As we rose again to walk on they just as quickly disappeared not wishing to have contact with us.

At the cemetery’s high point close to boundary wall there is a massive family crypt; it bears the name “de Gas”. On it is affixed a medallion showing a man with a long nose wearing a floppy hat. Here lies Edgar Degas, impressionist painter and master draughtsman who is ever immortalised by his paintings & crayon sketches of ballet dancers. His hands were able to create the movement and expression of their every action, capturing on canvas all the excitement of the dance, the stage and the swirl of muslin.

Seeing the tombs of these heroes of France is a most moving experience and our rest stops were many. The names went on; Leo Delibes and the Flower duet from Lakme, Jacques Offenbach and his music of “Gaité Parisienne’ echoing the nightlife down the road and now here is Stendhal and his novels “The Charterhouse of Parma” and “Scarlet and Black”.

We were approaching the overpass bridge again and the sound of traffic could be heard once more. To our right was a box like tomb some steps from the path. It was that of the family “Du Plessis.” Interred here was Alphonsine du Plessis a beautiful but tragic heroine. She was Dumas’s Lady of the Camellias, and Marguerite in Verdi’s “La Traviata”. She was real!

As we left the cemetery I felt we had seen more than a collection of graves, we had been in touch with the artistic spirit of France.

On looking back down over the cemetery from the Rue Caulaincourt which wends its way around the back of Montmartre like a comforting arm, I saw the cats emerge again to reclaim their territory.

Illustration "The Swing" by Fragonard

Saturday, 27 February 2010

Tommy's big dream



I shuffled through the old postcards. I had stacks of them, each one a small glimpse into the past. Collecting things is a strange hobby. None stranger is that of Postcards, where the brief correspondence of a bygone age becomes the property of a reader voyeur.

The scenes of Paris and northern France were scattered about the table, as I searched for the photo of a line of horse drawn cabs in the Champs Elysee. A few cards had turned over and the early messages of long gone correspondents were on view. The ones in ink were mainly from French men and women, wishing their addressees: "mes meilleurs amities" or "sentiments affecteux", and other similar Gallic endings. Others in pencil were from the front. Pathetic messages from soldiers with little time, writing possibly their last messages to loving wives, girlfriends, mothers and children."All well here, hope you are same over there", or "At Field Hospital until Wednesday, then rejoin regiment, saw Ted Porter from the Avenues", and "Hope you like this pretty card, we go up the line tomorrow".

Postmarks were generally of Field Post Offices, and the addresses were to Brighton and Liverpool, Aberdeen and Glasgow and then I noticed one sent to Port Adelaide, in South Australia. Addressed to Doris Watson, the message betrayed little except that writing didn't come easy to the soldier, and what lessons he had never included spelling and the use of capitals.
"on leave in paris with frend. reckon I saw you at the stashun. better than a picture. tell you about it when I get home and we get wed. Tommy."

It was not many months later that I too was in Paris. There was no purpose for the trip other than to make use of the free flight which came as part of the return ticket from Australia. I took the opportunity to visit the Musee D'Orsay, while I was there. This was a museum of French Art of the second half of the Nineteenth Century. The building erected not far from the banks of the Seine in 1900 was a former Railway Station. Its fine architecture and convenient position made its reuse for public purposes essential. I spent some hours in the galleries wistfully enjoying the paintings of Corot, Manet, Renoir and Degas. The sculptures of Rodin and Maillol were a delight and the Art Nouveau designs of Mucha, made me wish that I could live closer to France so that I could visit the Museum again and again.

Sated at last, I left the great building. I came out into an autumn shower. The former entrance plaza still had the original statues that greeted the rail commuters years ago. I walked up to them and gazed with awe at the massive bronze castings. They were of the four races of man depicted by the female form. These sad figures posed there crying tears of rain. Here was the European beauty, there the Asiatic maiden, now the African queen and the last was an Australian Aboriginal girl! I thought at first that I was mistaken but no; her features were quite distinct. She proudly looked out into the plaza so many miles from home with a little kangaroo by her side.



I thought back to that postcard.
"reckon i saw you at the stashun...better than a picture.."
That postcard from the first world war in my collection must have been from an aboriginal soldier! He had seen his girlfriend at the station. When I first read the card I had naturally thought the soldier's girlfriend was a nurse or some other auxiliary, that he was unlikely to see again before they returned to Australia. But he had seen that magnificent statue looking just like his Doris with even a kangaroo at her side. No wonder he said it was better than a picture.

It was much later that with some digging in the war records that I found out that Private Tommy Karpany, hadn't returned home to Australia to fulfill all his big dreams with Doris but had stayed on in a battlefield in France .

Pictures: 1. Collecting Yams by Susan Wanji Wanji 1991, 2. Bronze statue of L'Oceanie by Mathurin Moreau c 1880.

Saturday, 6 February 2010

Message from Helen



As Jim and Helen had some enthusiastic admirers last time in the DARE post, I thought this prompt might bring them back just once!



Jim went to look out of the window. He loved Paris. There was something about the city that satisfied all his senses. The sights, the smells, the language, he felt that in this city he could really live.

He drew up a chair and reversed it, sat down with his elbows on the back, his hands supporting his chin. The full length window was open and the curtains moved quietly in the late afternoon breeze. He gazed with admiration at the view.
In front and above him were the buildings opposite, with windows like his own, slated roofs, dormers, chimneys and in the distance the suburbs of Paris stretching out, with apartment blocks, church domes and patches of green breaking up the landscape.

Below him, activity. The noise of the street welled up, wooing him; the insistent call of the traffic: car horns: the bustle and shout of shoppers; the drone of lifts and clang of gates from the entrance to the Metro; and wafting up the seductive smells of the patisseries, coffee machines and the scent of French cigarettes. Jim was entranced; he was glad Helen was there to share it with him.

He watched the commuters enter and leave the Metro. There were those that hurried with furious intent to catch the next train at all costs, there were those that dawdled and yet others again that stopped as they emerged as though shocked to find a different world outside. A man in a raincoat stood still for several seconds, looking around him before daring to enter that underworld.

Over everything was laid a blanket of Gallic babble, conversations, arguments, pleas and pardons that made the whole scene make sense. Paul leaned out to enter that world.

He noticed one couple, young, eager, loving, sad, walk up with reluctant steps towards the entrance staircase. They clung to each other, let go and touched again, fingers entwined, then the man, tall, fair and curly haired, reached out and held her by the back of her neck. She leaned back into his touch, turned, smiled, her auburn locks shook and covered his hand. Petite, pert, shirt tied at the waist, jeans, she looked deep into his face, they stopped, he drew her to him and there with the crowded street milling round them, kissed, fondled and held tight.

Lovers. They had to part, but clearly it hurt, she drew away, yet he held her by both hands, not daring to let her go. Again he pulled her back to him. His hands stroked her back, curled around her bottom. Her hands reached for his face, traced his eyes, his nose, his lips. She tucked her fingers into his shirt and caressed his chest.

A woman selling flowers not two steps away, ignored them but tried to interest others with her roses and carnations. A gush of air from the Metro caught a scrap of paper. Up, up and around them it went, then whoosh it was gone.

Jim had received a message a message from Helen that she was travelling to Paris on business. Did he want to meet her there? After the abrupt parting in the London restaurant a week ago he leapt at the chance. Two days alone with Helen after all those years!

Jim looked out the window again. The lovers had parted, the young man had gone half way down the steps to the Metro, stopped, looked up at his lover, then came rushing back again to gain one last kiss. She was upset, crying now, her fingers went to each eye in turn to wipe away the tears. He fondled her again. Now she touched him, overtly, arousing him. He wrapped her up in his arms, kissed her neck, her eyes, her nose, finally a most gentle kiss to the lips. They broke, he rushed down the cavernous mouth of the Metro and was gone. She waited until he had disappeared, then she too, turned, walked back the way they had come and was lost in the crowd.

"Jim, what are you staring at?"
"One last look at the street," he turned toward her, she had just finished her packing. Bent over her case her hair had fallen down across her face and all he could see was the tip of her nose and her lips.

"I love you."
"I know," she replied.
"Do you like Paris?"
"Mm," came the affirmative reply. "Help me with this, we haven't got long before the taxi."
"Shall we come back?"

She glanced up at him again. She looked perplexed with her head tilted to one side as though the question was not easy to answer. He knew she came over regularly on business.

Jim went across to her. Put his arms around her waist and squeezed possessively. Helen released herself, kissed Jim on the cheek with affection but without passion, and laid her head on his shoulder for a few seconds.

"We have put right something that needed to be put right. Now I have you in my heart forever. Hold onto that Jim." She whispered.

The phone rang; their taxi was waiting.

They held hands on the plane, spoke little, made no plans. The silence was not confident, warm, comforting; it was uncertain, cheerless, and strange. They collected their cases at the carousel. Lined up quietly at immigration and then free to enter the arrival's hall turned at last to each other.

"Will Graham be here to meet you?"
It was with a very small voice that Helen said, "Yes."
There was a pause, then in her turn she said, "And Brenda?"
Paul shook his head, "I'm getting the bus to Woking, then the train from there."
They nodded at each other, awkwardly, not smiling.

Finally putting their cases down they touched each other's hands for the last time and as if only acquaintances, kissed each other on the cheek.
"Goodbye, Jim."
Helen, turned purposefully, strode through the doors without looking back and was gone.

Jim sighed, waited some time before lifting his own case. Some minutes later he sat looking at the drizzly rain, grey and cheerless waiting for his transfer bus. He knew there wouldn't be another message.

Photo of rooftops from the Hotel Roma , a short walk from Montmartre, Paris, by the author